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You will want to catch the full presentation or a particular piece of the screen and save it as a recording. It likewise has the element of a screen recorder with a webcam. A client can make spellbinding and itemized recordings and let the clients likewise record with a casing rate right from the transitions menu as shown here:
New Gadgets Play, Incorporated, famous for their consumer "gizmo" Snappy Video Snapshot (one of the best selling frame grabbers on the market), was there to tout Trinity. Trinity is one of the most eagerly awaited all-in-one video production boxes. It includes a live D1 production switcher, 3-D digital video effects, non-linear/linear editor, character generator, paint, animation, compositing, virtual sets, dual channel D1 still store, chroma keyer, two timebase correctors, etc. All in all everything one could want to create a broadcast presentation for a proposed U.S.$4,995. It works with a standard Pentium PC. As of this writing, it is yet to start shipping, but definitely keep an eye on this one. Integrated Computing Engines, Inc. were showing their ICDfx 4.0, an integrated hardware/software special effects editor for Mac and WinNt. ICEfx is a rendering engine on a single PCI card and software suite that places your desktop system on a par with the big guns, providing accelerated rendering for After Effects. ICEfx is priced around $4,995. Zoran, a major chip provider for PC multimedia markets (ATI, Avid, IBM, Matrox, Miro, Pinnacle, Truevision and others have used Zoran products and technologies), displayed Video Inlet, the first video capture design to enable high-quality, full motion capture via the USB (Uniform Serial Bus) on the PC. Expect to hear much more on this in the near future as USB compliant motherboards become the standard. Intel graced us with some new technology. First, Intel Web Design Effects provides rich, animated special effects, such as water, fire and clouds, for web developers. It incorporates new technology available in Internet Explorer 4.0 browsers that provide the user with animated effects at very fast download times. Next, Intel Indeo Video Software 5.0 gives advanced capability to adjust video quality according to the end users Internet connection speed. Both of these products are a must see for web video content producers. Another Intel product, the Intel Smart Video Recorder III, a real-time video capture/compression card for IBM compatible machines, absolutely amazed me. At a price of $199, the cost to enter the world of digital video has never been lower, while the quality for multimedia and web presentations is astounding!
Participants in one of more than 60 classes offered at DV `97. Photo courtesy of Miller Freeman. photographer Mark Madeo. When putting together your next blockbuster, you must get in touch with the folks at Artbeats. Their products Realfire2 and ReelExplosions will give you the most realistic explosions and pyrotechnic displays available on disc. The effects are provided as high resolution QuickTime and TARGA sequences that can be used with any software that can import either format. Both are royalty-free and broadcast quality, digitized from 35mm and 16mm footage. After using these in an After Effects project, I was impressed at the quality. For a suggested $499 investment, you may never shoot a pyrotechnic insert on film or video again. Another hot new plug-in for After Effects was Cinelook Broadcast from DigiEffects. The plug-in generates a "film" look for video footage. It can create film grain, control colors, luminance, curves and other film effects like duotone, scratches (my favorite is the leader damage preset), dust, etc. It is amazing how well one can match a particular film stock feel from video using this well produced tool. It's fairly intuitive and with a generous supply of presets to get you started, you can get down to work almost immediately. All in All The experience was positive and I feel that I benefited from the wealth of information presented at the conference. A general theme that was present at most of the sessions I attended was one of trying to figure out the Apple dilemma and the appearance of our favorite and most utilitarian pieces of software on the Windows platform. So how does one choose intelligently, and at the same time not get left in the dust by the next, latest, greatest technology that is just around the corner? That will be the "Quest for the Holy Grail" for everyone involved in the business of producing digital video content as we approach the coming millennium; and that is where gatherings of like-minded folk, such as the inaugural Digital Video Conference and Exposition in Burbank, will help us to keep our heads above water. John Parazette-Tillar has a background in multimedia graphic design, specializing in After Effects and Digital Video. He is a computer graphics instructor at Cal State Long Beach-UCES, and has received many certificates from the American Film Institute and Cal State Long Beach. He currently teaches courses in Illustrator and Interactive Media Desktop Presentation. Note: Readers may contact any Animation World Magazine contributor by sending an email to email@example.com. 350c69d7ab